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??STUDIO FANG
P .art Group公司新址遷至坐落于蘇河灣濱水藝術(shù)走廊的地標(biāo)建筑蘇河皓司（SUHE HAUS）——原為建于1931年的中國(guó)實(shí)業(yè)銀行倉(cāng)庫(kù)，上海市優(yōu)秀歷史建筑，承載著海派文化底蘊(yùn)和Art Deco建筑外觀歷史建筑文化煥活。
P.art Group moved to the new address of SUHE HAUS, a landmark building located in the Suhewan Waterfront Art Corridor. It was originally a warehouse of the Industrial Bank of China built in 1931. It is an outstanding historical building in Shanghai, carrying the cultural heritage of Shanghai style and the appearance of Art Deco architecture. The historical architectural culture has been revitalized.
我們希望通過新舊元素的融合，創(chuàng)造了一個(gè)既保留歷史特質(zhì)，又具有高度靈活性和適應(yīng)性的展示空間。 保留建筑核心結(jié)構(gòu)的同時(shí)，運(yùn)用了簡(jiǎn)潔的現(xiàn)代設(shè)計(jì)語言，為空間賦予了新的生命，回應(yīng)當(dāng)代藝術(shù)多樣化的需求。
We hope to create a display space that retains historical characteristics and is highly flexible and adaptable through the integration of new and old elements. While retaining the core structure of the building, a simple modern design language is used to give new life to the space and respond to the diverse needs of contemporary art.
歷史與現(xiàn)代的共鳴
Resonance of history and modernity
??STUDIO FANG
設(shè)計(jì)概念成形于歷史與現(xiàn)代元素的對(duì)話。粗獷的混凝土柱子成為空間設(shè)計(jì)的視覺焦點(diǎn)，時(shí)刻提醒著人們這里深厚的歷史底蘊(yùn)。我們采用取巧的辦法，運(yùn)用干凈的線條和簡(jiǎn)單的材料，既保留了歷史建筑的個(gè)性，又注入了當(dāng)代藝術(shù)氛圍。這一設(shè)計(jì)不同于傳統(tǒng)修復(fù)和裝飾方式，通過展現(xiàn)原有結(jié)構(gòu)強(qiáng)調(diào)了建筑的原始狀態(tài)，并為空間賦予了新的生命與美學(xué)表達(dá)。
The design concept is formed by the dialogue between historical and modern elements. The rough concrete columns become the visual focus of the space design, reminding people of the deep historical heritage here at all times. We use a clever method, using clean lines and simple materials to retain the personality of the historical building and inject a contemporary art atmosphere. This design is different from traditional restoration and decoration methods. It emphasizes the original state of the building by showing the original structure and gives the space new life and aesthetic expression.
靈活的空間布局
Flexible space layout
??STUDIO FANG
該畫廊具備極高的靈活性，內(nèi)部設(shè)有三個(gè)可移動(dòng)的2x2米方盒子，這些方盒子不僅可以作為辦公區(qū)域，還能充當(dāng)藝術(shù)品展示空間。這一設(shè)計(jì)打破了傳統(tǒng)畫廊中展示區(qū)與功能區(qū)的固定劃分，使得空間能夠根據(jù)不同的展示需求靈活調(diào)整，節(jié)省資源的同時(shí)，營(yíng)造出動(dòng)態(tài)的藝術(shù)氛圍。方盒子的靈活配置使得藝術(shù)展覽形式更加多樣，觀眾的動(dòng)線也可以隨展覽內(nèi)容變化，從而增強(qiáng)互動(dòng)性和沉浸感。無論是小型藝術(shù)展覽還是大型裝置作品，這種靈活的布局方式都能為不同形式的展覽提供支持，讓藝術(shù)空間變得更加動(dòng)態(tài)和開放。
The gallery is highly flexible, with three movable 2x2m boxes inside, which can be used not only as office areas but also as art exhibition spaces. This design breaks the fixed division of exhibition areas and functional areas in traditional galleries, allowing the space to be flexibly adjusted according to different exhibition needs, saving resources while creating a dynamic artistic atmosphere. The flexible configuration of the boxes makes the art exhibition more diverse, and the audience's movement lines can also change with the exhibition content, thereby enhancing interactivity and immersion. Whether it is a small art exhibition or a large installation, this flexible layout can support different forms of exhibitions, making the art space more dynamic and open.
??STUDIO FANG
該空間設(shè)計(jì)不僅賦予了策展人更大的創(chuàng)作自由，也為觀眾帶來了更多互動(dòng)體驗(yàn)。可移動(dòng)的方盒子打破了傳統(tǒng)靜態(tài)展示模式的局限，觀眾每次進(jìn)入展覽空間時(shí)，都會(huì)發(fā)現(xiàn)空間布局與展品位置的變化。這種設(shè)計(jì)強(qiáng)化了展覽與觀眾之間的互動(dòng)關(guān)系，觀眾不僅是被動(dòng)的欣賞者，更是空間動(dòng)態(tài)變化中的參與者。
The space design not only gives curators greater creative freedom, but also brings more interactive experiences to the audience. The movable boxes break the limitations of the traditional static display mode. Every time the audience enters the exhibition space, they will find changes in the spatial layout and the location of the exhibits. This design strengthens the interactive relationship between the exhibition and the audience. The audience is not only a passive admirer, but also a participant in the dynamic changes of the space.
材料與美學(xué)的結(jié)合
Combination of materials and aesthetics
??STUDIO FANG
在材料選擇上，項(xiàng)目采用了簡(jiǎn)約設(shè)計(jì)與低成本實(shí)踐，選擇裸露混凝土、鋼結(jié)構(gòu)和透明玻璃等現(xiàn)代元素，既體現(xiàn)了現(xiàn)代建筑的質(zhì)感，又與歷史建筑的原始狀態(tài)形成對(duì)話。這種低成本設(shè)計(jì)策略不僅實(shí)用高效，更在美學(xué)上保持了高品質(zhì)感，為當(dāng)代藝術(shù)的展示提供了全新的視角與可能性。
In terms of material selection, the project adopts simple design and low-cost practice, choosing modern elements such as exposed concrete, steel structure and transparent glass, which not only reflects the texture of modern architecture, but also forms a dialogue with the original state of historical buildings. This low-cost design strategy is not only practical and efficient, but also maintains a high sense of aesthetics, providing a new perspective and possibility for the display of contemporary art.
??STUDIO FANG
總結(jié)
Conclusion
我們希望P.art新址能突破一點(diǎn)點(diǎn)傳統(tǒng)的靜態(tài)空間模式，提出歷史與現(xiàn)代、功能與靈活性之間的平衡。三個(gè)可移動(dòng)方盒子的設(shè)計(jì)為展覽形式帶來了更高的自由度，使策展人能夠根據(jù)具體的藝術(shù)需求靈活調(diào)整空間布局。不僅能適應(yīng)當(dāng)下不斷變化的藝術(shù)形式，還能提供更加互動(dòng)和沉浸的觀展體驗(yàn)。這種對(duì)未來的開放態(tài)度，使畫廊不僅僅是一個(gè)展示場(chǎng)所，更成為了一個(gè)不斷對(duì)話、互動(dòng)和進(jìn)化的平臺(tái)。在這種環(huán)境下，藝術(shù)、觀眾和空間的關(guān)系得以重新定義，延展出更多的可能。
We hope that the new P.art site can break through the traditional static space mode a little bit, and propose a balance between history and modernity, function and flexibility. The design of three movable square boxes brings a higher degree of freedom to the exhibition form, allowing curators to flexibly adjust the spatial layout according to specific artistic needs. Not only can it adapt to the ever-changing art forms of the moment, but also provide a more interactive and immersive exhibition experience. This open attitude towards the future makes the gallery not only a display venue, but also a platform for continuous dialogue, interaction and evolution. In this environment, the relationship between art, audience and space can be redefined, extending more possibilities.
立面圖
平面圖
剖面圖A
剖面圖B
生成式布局合并
小盒子分析
發(fā)文編輯/網(wǎng)站審核｜楊思洋
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